Atlanta Tv Show Cinematography
As we all know, television has become a major source of entertainment for most people. Shows such as The Bachelor have made watching TV shows a large-scale event!
Not only are there newer generations developing an obsession with so called “reality” TV, but also scripted programming is making waves in the world of media.
The term “scripted show” refers to programs that contain written stories and characters. This can range from sitcoms like Friends or Seinfeld, to dramas such as Grey’s Anatomy or House.
These types of programs are very popular because they connect with audiences on an emotional level. They are designed to make viewers laugh, cry, and feel some sort of response to the story.
Aspiring cinematographers should be aware of the different modes of coverage used in tvcampaign filming. These include pan and scan, tracking dolly, and more.
This article will go into detail about each one and what situations they would apply in. So put your camera down and read up! Let us begin.
The Office
One of my favorite TV shows is The Office. I have always loved this show, from when it first aired in 2009 to now, three years later. Not only do I love the storylines and characters, but the cinematography as well!
The Office has some incredible shots that make for great watching. Some examples are the shot where Pam does her nails while talking on the phone, or the many close up shots of Dwight’s face during his rants.
But there are so many more! My personal favorites include the one where Michael tries to kiss Angela (the two barely even touching) and the panning across Andy looking at himself in the mirror after he finds out he will be staying in London with Toby and Melissa.
It is important to use good camera angles and emphasis on certain parts of the scene to create an effect. For example, using a long lens to focus almost exclusively on someone’s nose can make them look very vain - just try doing that on your own forehead 😉
I hope you enjoyed reading about some of my favorite scenes on The Office and how I feel about their overall effectiveness.
Ted Lasso
As we all know, television has become a very visual medium. The ever-growing popularity of shows such as Game of Thrones or The Walking Dead depend heavily on beautiful cinematography to draw in viewers.
When it comes down to it, most people enjoy watching scenes that feature lots of interesting angles and pretty scenery. This is why professional TV cameramen are so important!
Ted Lasso is one such professional. He enjoys working with different styles and genres, creating some incredible footage. His favorite genre to work in is sci-fi, due to his love for gadgets and space.
He would sometimes be asked to give more natural looking shots, which he was not opposed to at all. When needed, he could pull out some really cool lighting or camera techniques to achieve this.
The Underground Railroad
In the spring of 2015, I was hired as the cinematographer for an interesting project called The Underground RailroaD. This is a dramatic television series that takes place in early America during the time when African Americans were able to travel west towards California and Oregon via The Underground Railway.
The show follows several people who are connected through past experiences or relationships and how they navigate their lives together while also struggling with unresolved issues from years ago.
I worked primarily with my camera operator Russell Boyd and production designer Michael Larned. We would typically meet up at a location two weeks before we started shooting so we could get a feel for the space and establish some base lines such as natural light sources. Then once we had our initial coverage, we would scout out additional locations and create a source list so we knew where every piece of needed lighting was already in place.
We would then bring those lights with us during filming days which gave us more options for creativity since we weren’t limited by ambient light only. My favorite thing about this show was how much respect everyone outside the crew had for each other. Even though there are no off-screen scenes, you can tell these people care about one another and want what’s best for each other.