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NYC Pension Funds Pressure Disney, Paramount, Comcast to Resolve Strikes

A. Prentice

Trustees of New York City's $250 billion pension funds have thrown their hat into the ongoing WGA and SAG-AFTRA strikes, urging Disney, Paramount, and Comcast to resolve the conflicts promptly, lest they compromise investor confidence. The Writers Guild has been on strike since May 2, with its SAG-AFTRA counterpart beginning from July 14. Their protests against the entertainment corporations have been noted and supported officially by Comptroller Brad Lander on behalf of the trustees of NYC's five pension funds.

In separate letters written to each of the three corporations, Lander outlined the investment stakes of the NYC pension funds. In a letter to Bob Iger, the CEO of Disney, it was stated that the funds hold approximately 2.7 million shares valued at $229.2 million. In a similar dispatch to Brian Roberts, Chairman and CEO of Comcast, Lander put the fund's holdings at approximately 6.3 million shares valued at $272.7 million. Meanwhile, to Robert Bakish, the President & CEO of Paramount Global, the note held that the substantial shares of the pension funds estimated over $10 million.

Lander, in each of the letters, stressed that the pension funds, as long-term investors, prioritized constructive labor management relations as a critical component to effective human capital management and sustained shareholder value.

The five pension funds under the umbrella of these concerns include the New York City Teachers’ Retirement System, the New York City Employees’ Retirement System, the New York City Police Pension Fund, the New York City Fire Pension Fund, and the New York City Board of Education Retirement System, collectively termed as NYCRS. In the concluding lines of each letter, Lander noted his concern that the ongoing strikes expose the NYCRS' investments to unnecessary risk, and if unresolved, the situation may threaten the long-term stability of their investments within these companies.

Now, moving toward my own commentary on this matter:

In an industry known for Buzz Lightyear and Kermit the Frog, this clash feels more like a Godzilla vs. Kong bout. Cinematic? Definitely. Essential to the narrative? It seems so.

Why, you ask? Powerhouses like Disney, Paramount, and Comcast are not just content creators, they are financial titans. On the side of the screen, however, we have the humble writers and actors, who form the backbone of that very content. This clash of corporate interest and worker rights is far from unique but it underscores a vital question: at what cost does entertainment come?

The WGA and SAG-AFTRA strikes began as independent instances of advocacy for fair work conditions. Now, NYC's pension funds have upped the ante, turning this into a high-stakes poker game of investor satisfaction.

As Lander implies in his letters, long-term investors are in it for the stability, folks! Not the popcorn-worthy dramatization of labor disputes. They signed up for Beauty and the Beast, not Jurassic Park running rampant.

But then again, it's Hollywood, baby! It knows no business like show business. Let's hope this one ends with a standing ovation rather than jeering boos from Wall Street and Main Street alike. Stay tuned!