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SAG-AFTRA Greenlights Shyamalan's 'The Watchers' Amid Strike

A. Prentice

SAG-AFTRA, after kickstarting its first round of waivers for a slew of films on Tuesday, has proceeded to grant permission to another array of films to continue production amid the strike. This includes Ishana Night Shyamalan’s The Watchers, boasting Dakota Fanning in a lead role, and Don’t Move, a product of Sam Raimi's production efforts.

What makes The Watchers scenario intriguing is the unique situation it finds itself in - despite New Line's eagerness for distribution rights, the movie is technically a negative pickup. Our sources share that this variable contributed substantially to the acquisition of the waiver given that the distribution agreement had not been finalized. This means that it essentially operates as an independent film with corresponding financing and that the studio's involvement is negligible until an official deal is inked and solidified once the strike is resolved.

The project had been predominantly filmed in Ireland, positioning it as a local UK effort under the governance of the British Equity Guild. This has previously permitted productions like House of the Dragon to maintain steady progress sans interruptions during the strike. The Watchers stands as Ishana Night Shyamalan's maiden directorial venture, who also embraces the role of the producer. The film shines with the inclusion of Georgina Campbell amongst its lead actors.

In today's list of films approved for waivers, titles such as Isaac, Sight Unseen, Untitled Rebuilding Project, and Mother, May I? were also included. SAG-AFTRA subsequently declared on Tuesday that an entire gamut of 39 films were entitled to begin shooting, inclusive of two A24 films - Mother Mary and Death of Unicorn - along with the faith-oriented series The Chosen.

The waivers are specifically catered towards "truly independent producers", provided they respect their non-affiliation with the Alliance of Motion Picture and Television Producers and willingly accept to comply retrospectively to contract terms established with the AMPTP once the strike has been remedied.

Now, let's take a step back for a minute - behold Hollywood taking indie films under its wing, like a grizzled veteran adopting a fledgling rookie. The current SAG-AFTRA strike has made its impacts and, ironically, the independents, who usually strive against the tides of industry giants, are finding themselves as the lucky ones.

The Watchers situation is fascinatingly labyrinthine. A negative pick-up that can continue shooting amid a strike? That's Hollywood's version of David skirting past Goliath with a surprising, unexpected dodge. Unexpectedly, New Line's yet-to-be-finished distribution deal turned out to be the surprise green pass amidst all the red tape. It's almost cinematic. Someone pass the popcorn.

And let's not forget our international twist - some much needed Celtic flare from Ireland. The British Equity Guild, it seems, is a different beast entirely, unfazed by the strikes back over the pond. It's like a filmic embassy, providing production asylum. Crafty. Not just for leprechauns, this Emerald Isle.

Shyamalan’s directorial debut receives an exceptional debut, too - granted a golden ticket in a lottery that others didn't even have tickets for. While it does echo rather loudly with a certain unfairness, as a seasoned Hollywood spectator, yours truly can attest to the industry's penchant for unpredictability. Until then, let's raise our imaginary popcorn-filled hands to the free spirit of independent cinema. Because sometimes Hollywood, it's the small movies which create the biggest ripples. They watch, so we watch. Seems everyone's a watcher these days.