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Sony Pictures Classics on Verge of Acquiring 'Daddio', Starring Penn and Johnson

A. Prentice

Sony Pictures Classics is in ongoing exclusive conversations for the purchase of the film 'Daddio', an exclusive two-hander directed by Christy Hall and starring established actors Sean Penn and Dakota Johnson. After successful premieres at both Telluride and Toronto film festivals, Sony Pictures Classics is set to claim the rights for distribution in North America, Latin America, Europe, and Asia territories.

As a debut feature film director, Hall, renowned co-creator of the famous series 'I Am Not Okay With This', brings forth a raw, emotional and intimate narrative of a cab driver and his passenger as they journey through a traffic-infested trip from JFK to downtown Manhattan.

The film features Penn as the chatty taxi driver who, through organic conversation, gradually begins to reveal more and more of himself, his past and his life to his passenger (played by Johnson). The latter portrays a young woman caught in the complexities of an affair with a married man and her evident reservations about it. Penn's character reveals the wisdom that is derived from both his personal and professional mileage, revealing much of his character organically through the dialogue.

The uniqueness of the film lies in its narrow setting, using the confines of a taxi to deliver two captivating performances and drive the narrative forward. Penn’s character in the film doesn't seem to pass any judgment, but rather candidly converses. It's later revealed why he works late-night shifts instead of returning home to a family. Penn’s performance in 'Daddio' is reported and applauded as his best piece of work in years at both Telluride and Toronto given his other commitments, including his directorial ventures and humanitarian work through his CORE organization. As the movie progresses, Johnson also holds her own, delivering a robust performance from the backseat of the taxi.

Agencies representing 'Daddio' are CAA Media Finance and WME Independent, and it witnessed multiple potential buyers interested in the acquisition. The film managed to bring together the star duo to Toronto due to an signed interim agreement with SAG-AFTRA, marking an extraordinary deal in the industry where the typical procedure is for stars to commit to union agreements before travelling.

The film is a collective production effort by Hercules Film Fund, TeaTime Pictures, First Love Films, Raindrop Valley, Projected Picture Works, Rhea Films, with Hall and Johnson acting as producers along with Emma Tillinger Koskoff, Ro Donnelly, Terry Dougas, and Paris Kassidokostas-Latsis. Jean-Luc De Fanti, Max Work, Kostas Tsoukalas, and Christopher Donnelly functioned as executive producers.

Now, Hollywood Dynamics readers, let me give you my worth-a-penny sentiment -

If the Telluride and Toronto reviews are any bellwether to go with - Hall's directorial debut is a 'hailed-taxi' driver of a hit! The movie reminds us of that time-honored tradition of a bottle episode: a narrative device confined to a single setting. And, trust me, getting your stars to shine brilliantly in that can be more complicated than a LA traffic jam.

But ‘Daddio’ takes us back to the beauty of simplicity. A cab, a snarl-up, two actors, and what becomes an intimate rollercoaster of emotions and revelations? Pretty riveting, huh? This self-contained cinema takes us back to the power of performance, script, and the raw chemistry between actors.

And Sean Penn, folks! He’s largely been in the directors' cab of late, but boy, does it seem like he has not lost his driving (read acting) chops one bit. While Johnson, who rises from the backseat, is no less of a combatant herself in this acting face-off. She holds her own, matching her acting rhythm, mile-for-mile, esteem-for-esteem, with the veteran Penn.

Lastly, a note to our stars: Just as they would in a foggy traffic snarl, keep your headlights on and your GPS tuned, because, from where I'm sitting, 'Daddio' seems to be headed for quite a ride! And I, for one, cannot wait to hitch a lift with 'em. After all, who wouldn’t want a ride with such dynamic actors in a car/confessional booth on wheels?

Just hope I don’t get stuck in traffic on the way to the cinemas... now wouldn't that be one for the books?