Striking Chords: Hollywood Unites in Musical Protest Marches
On Tuesday morning, Day 106 of the Writers Guild of America (WGA) strike and Day 33 of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) strike, Rockefeller Center's crowded thoroughfare served as the stage for a remarkable spectacle. Janice Pendarvis, a backup singer featured in the Oscar-winning 2013 documentary 20 Feet from Stardom, led other vocalists and several dozen SAG-AFTRA picketers in sequences of the classic protest anthem, “Ain’t Gonna Let Nobody Turn Me ’Round”.
This Sydney spectacle represented the first of three solidarity marches, an initiative aimed at uniting musicians and actors. Picket events were also scheduled in Nashville and Los Angeles. In New York, familiar faces such as Lisa Fischer, Peppermint (a former RuPaul's Drag Race contestant), and Elliot Page, star of Juno and The Umbrella Academy, joined Pendarvis on the picket line.
Pendarvis, having amassed a remarkable resume as a collaborator with notable musicians including The Rolling Stones, David Bowie and Sting, currently serves as SAG-AFTRA’s national vice president for recording artists and singers. However, she emphasized her presence wasn't merely for show. She informed Deadline, “This isn’t frivolous entertainment. This is to sustain people’s spirits while they aren’t making money."
She further likened the union to a family facing challenging times, emphasised the need for a resilient spirit whilst dealing with these "insane employers."
Marking the end of the rally, New York Assemblymember Zohran Mamdani delivered a speech. The rep from Queens echoed the universal relevance of the actors and writers strike, saying it mirrors “the struggle of every working person in the country.”
Excuse me while I trade my pen for a conductor's baton, but isn't it wild to think about a picket line turning into a live concert? In case you were wondering, Pendarvis was not there for a casual stroll in the park or just some pitch-perfect vocal calisthenics before brunch. This was an occasion where she led the group not only with her voice but with her convictions.
With a microphone in hand and a sea of people before her, she shattered the belief that entertainment always serves as an escapism from reality. This protest was definitely new on Broadway - harmonious voices rising not for applause, but for change. That's the kind of music that gets my foot tapping.
Rallying with folks like Lisa Fischer and Elliot Page sent a powerful message as well - unity is no longer an encore left for the end, but the main act. And let's not even get started on Zohran Mamdani linking the struggles of the entertainment industry to every working person in the country. It seems the picket line was not just a stage, but a looking glass into the inequalities of our society.
One might argue the clash of commercial giants and seasoned performers gives birth to a unique kind of drama, a narrative that echoes far beyond the walls of Hollywood. But let's not provide these "insane employers" with ideas for their next big flick.
And to you, Pendarvis, here's a standing ovation. Your ability to harness power and unity through song under challenging conditions is nothing short of inspirational. Your performance did more than sustain the spirit of your colleagues. It reminded us all that the entertainment industry's glamour doesn't always insulate professionals from the harsh realities of pay disputes. Who knew striking could sound so good?
