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WGA Strike: Hollywood's Unresolved "Game of Thrones" Continues

A. Prentice

The Writers Guild (WGA) and Hollywood studios are yet to resolve the writers’ strike that has lasted for close to five months. As the deadlock continues, their target to finalize an agreement last Saturday remains unachieved. The stalemate forces the two entities to go back to the negotiation table on Sunday. This latest development came to light late Saturday in the second joint statement of the week from both camps.

While the studios and streamers have submitted what they term the "best and final offer," lawyers are still perusing the details. Consequently, the WGA strike will extend for at least one more day. Depending on the discourse on Sunday, there may be yet another "best and final offer" presented - a term studios have used though it is not as dramatic as perceived.

The latter phrase has notably ruffled some feathers among the writers, leading a studio executive to label it as "an unfortunate choice of words," expressing his worry that it may drag the bargaining process back. Post-Saturday's discussions, both sides decided to meet on Sunday involving the WGA negotiating committee and Carol Lombardini-led Alliance of Motion Picture and Television Producers (AMPTP). However, the attendance of high-powered figures such as Netflix's Ted Sarandos, Disney's Bob Iger, NBCUniversal's Donna Langley, and Warner Bros Discovery's David Zaslav is uncertain.

Throughout the past four days of hectic negotiations at the AMPTP's Sherman Oaks headquarters, the CEO group participated in-person Wednesday through Friday. Although absent in-person on Saturday, the CEOs contributed remotely or via delegates. The WGA negotiating committee, led by Ellen Stutzman, David Goodman, and Chris Keyser, enjoyed a significant physical presence.

The sticking points appear to be issues revolving around AI and writers room staffing levels, which form part of WGA's comprehensive bundle strategy.

Recognized as the Day of Atonement in the Jewish faith, Yom Kippur this year runs from Sunday evening to Monday evening. WGA, with a membership of several thousands, has been on strike since May 2 (Marking the 145th day) in their bid for a new, three-year film and TV contract. Their counterparts, SAG-AFTRA, which boasts about 160,000 members, have demonstrated solidarity by joining the picket lines about 72 days ago. Resultantly, production in the industry has hit a standstill due to the twin strikes.

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Buckle up, Hollywood. The writers' strike isn't finished yet. Despite wishful thinking for a resolution, we're faced with more strike days. But let's give credit where it's due. This dance of negotiation has brought us more plot twists than an episode of "Game of Thrones."

The term "best and final offer" seems to be bringing more drama to this story than a season finale cliffhanger. Studio execs, perhaps now regretting their use of this phrase, may well be wishing they'd chosen a less antagonistic way of saying, "Hey, we're doing our best here." Too late, it appears: you've kindled the ire of the wordsmiths, and they're writing you a storyline you may not care for.

Sunday, the new episode in this negotiation saga, teases the potential involvement of industry titans. Just imagine the room. With such powerhouse figures virtually or physically present, you'd think we'd get a spin-off series titled "The CEOs."

Speaking of characters, hats off to the WGA negotiating committee. Stutzman, Goodman, and Keyser have held their ground, channeling their best "heroes of the writers' room" act. They've stuck to their script of demanding better terms for AI usage and staffing levels in the writers' room.

Yom Kippur, often a time for soul-searching and reconciliation, is on the horizon. Could this Day of Atonement provide the setting for a dramatic breakthrough in these negotiations? Only time will tell.

Meanwhile, the industry remains in a production purgatory, as it collectively holds its breath for news of a resolution. Let's hope that when the final script page is turned, it reads quite simply: "All's Well That Ends Well."